Link Wray: So Glad, So Proud
Rock pioneer Link Wray, most famous for "Rumble" was boss in every era.
In 2000, at a small club in Portland, Ore., I witnessed this for myself. The half Shawnee shaman, at the age of 71, performed one of the greatest shows I've ever seen in my life. Some time had passed since Quentin Tarantino featured Wray's famed "Rumble" in Pulp Fiction, so the "Rawhide" rocker attracted a smaller crowd this time around. The better for all of us. The crowd consisted of die-hard Rockabillies, a smattering of older people, varied Wray fans, me and my little siste gods work his power -- taking all that is raucous and dark and soulful and yes, light, and hypnotizing us. There were no bad vibes in that cramped crowd of potential rowdies. Moving on stage like the half-Shawnee he was, he worked us as if performing some kind of Native American rock and roll rain dance, while still playing down and dirty -- music that made us feel alive and real and raw. And then dreamy -- a seedy, sexy, soulful, demonic, beatific dream.
And then this wide awake fever dream became so tangibly real -- a moment that's remained a highlight of my life: Link Wray handed me his guitar in the middle of "Rumble." Yes, he actually, mid-performance, leaned over from the stage, and placed his guitar in my hands. And that devil (an angel in disguise) did so with a grin on his face. I was holding Link Wray's guitar! I didn't scream or cry or crumble into Beatlemania hysterics; instead I held it as long as I could and then, in a trance-like state, passed that sacred idol through the crowd. This was to be shared. And Link just took it all in -- jovial and delighted as the awed audience passed it along, and with great, religious respect. He trusted us. It was safely returned back to Wray who, in spite of his dark image (Wray was still one of the greatest looking leather clad rockers ever) and menacing sound, smiled broadly. I still have his pick, stashed safely in my jewelry box.
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I still have my scratchy, battered 45 of "Rumble."
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