Thursday, September 13, 2012

Episodes' Gets Season 3 Pickup From Showtime




'Episodes' Gets Season 3 Pickup From Showtime

Published: September 13, 2012 @ 9:54 am
By Tim Kenneally

Matt LeBlanc will be back to play himself on "Episodes."

Showtime has picked up the comedy "Episodes" starring the former "Friends" star for a third season, the network said Friday.

The series, which stars Matt LeBlanc as a fictionalized version of himself, has averaged 1.66 million total viewers during its current second season and was nominated for three Emmys in its first season. It also earned LeBlanc a Golden Globe last year.

Also read: Matt LeBlanc Auditions to Play Matt LeBlanc

The series was created and is executive-produced by "Friends" veteran David Crane and Jeffrey Klarik. A co-production between Showtine and the BBC, it will begin production on the nine-episode third season next year.

Wednesday, September 12, 2012

From Tom Roberts at Black Dog Books

Tom Roberts has left a new comment on your post "Black Dog Books Flood Sale":

Many thanks, Ed! (for last night's post)

Again, just for clarity . . .

There are no water damaged items being offered for sale.

All books are as new from the printer.

All orders are greatly appreciated.

Tom Roberts
Black Dog Books

Tuesday, September 11, 2012

Black Dog Books Flood Sale

Ed here: I swiped this from my friend James Reasoner and his fine blog Rough Edges. These are great deals from an amazing publisher.


Black Dog Books Flood Sale




(I know you've heard about this already. So go buy some books!)

From Tom Roberts:

Over the holiday weekend I went into the BDB storage facility—namely the basement of our home—to find standing water. Storms from the hurricane effect.

For anyone that reads, collects or appreciates books, further description is pointless.

The water damaged not only parts of the home, but a portion of BDB stock as well as personal effects and some of the book collection.

While the water has now been removed the cleanup and salvaging goes on while the drying out continues.

In an attempt to aid in the financial recovery from our disaster, the following new releases are now marked down with flood sale prices.



Bring 'Em Back Dead by George Fielding Eliot
The first three exciting cases of Dan Fowler, G-Man. With an introduction by Matt Hilton.
Trade paperback/290 pages. Published at $29.95. Now $20.95!
http://www.blackdogbooks.net/index.php?Itemid=11&option=com_zoo&view=item&category_id=6&item_id=118




In the Name of Honor by Albert Payson Terhune
A Civil War-set historical drama of a wrongly accused man attempting to clear his name and regain the hand of the women he loves.
Trade paperback/289 pages. Published at $16.95. Now $11.95!
http://www.blackdogbooks.net/index.php?Itemid=13&option=com_zoo&view=item&category_id=7&item_id=141




The Rajah From Hell by H. Bedford-Jones
A Hindu prince seeks retribution for an ancient offense. Now four men have been marked for murder! Does the prince carry out his threat? Or can his revenge be thwarted? With an introduction by James Reasoner.
Trade paperback/100 pages. Published at $10.00. Now $7.00!
http://www.blackdogbooks.net/index.php?Itemid=11&option=com_zoo&view=item&category_id=6&item_id=143




Dusty Ayres—Invasion of the Black Lightning by Robert Sidney Bowen
An evil foreign powers threatens the safely of the United States. Can Dusty rally the troops in time to stop their advance?
For the first time, the initial three novel-length adventures of Dusty Ayres are brought together in one unparalleled volume.
Trade paperback / 266 pages. Published at $24.95. Now $17.50!
http://www.blackdogbooks.net/index.php?Itemid=13&option=com_zoo&view=item&category_id=7&item_id=127



Additional backlist titles will be marked down with flood sale prices later this week. Shop early and often to take advantage of the savings.

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Saturday, September 01, 2012

Goodbye For Now

Because of health problems I won't be blogging for awhile. Not sure when I'll be back but I thank everybody who's tuned in all these years. I've had a great time and hope you have too.

Best Ed

Thursday, August 30, 2012

Fanny Ellsworth and the creation of "noir"

“Black Mask Magazine, Steve Fisher, and The Noir Revolution” by Keith Alan Deutsch

Keith Alan Deutsch is publisher and conservator of Black Mask Magazine, a publication that has a long-established connection to EQMM. He is also the co-author of several reference and scholarly books relating toBlack Mask, hardboiled, and noir fiction. They include Black Mask Pulp Story Reader Volumes 1 – 6, Jo Gar’s Casebook, and The Black Lizard Big Book of Black Mask Stories. His knowledge of key publications and acquaintance with many of the genre’s writers put him in a position to provide a fascinating overview of the field.Janet Hutchings

It is difficult to remember seventy-five years after the revolution, but Steve Fisher, Cornell Woolrich, and a few other second-wave Black Mask boys of the late 1930s ushered in a sea change in crime-fiction narration.

Fanny Ellsworth, who replaced Joseph Shaw at Black Mask in 1936, favored this change from the objective, hardboiled writing promoted by Shaw and the earlier editors of Black Mask Magazine to the subjective, psychologically and emotionally heightened writing that came in vogue under her guidance.

This little-noticed shift in style in Black Mask fiction, “The Ellsworth Shift,” led to the creation of the film genre we now know as noir through the writings of Steve Fisher, particularly in his film scripts, and through the novels and short fiction of Cornell Woolrich, whose writings we now also call noir, although the term was originally applied only to film.

This dark new style and psychology in crime-fiction narration jumped from magazine and book publications into screenplays, and led in the 1940s to the emergence in Hollywood of the classic age of the noir film thriller.

The obsessive, dreamlike narration favored by Fisher and Woolrich in their tense crime tales was a perfect match for the dark shadows and frightening, expressive camera angles developed in German and Hollywood horror cinema. Narrative fiction style and camera photography styles played against and enriched each other in the development of this new film genre.

for the rest go here: http://somethingisgoingtohappen.net/2012/08/29/black-mask-magazine-steve-fisher-and-the-noir-revolution-by-keith-alan-deutsch/

BE SURE TO READ JON BREEN'S LETTER IN COMMENTS FOLLOWING THE ARTICLE


Wednesday, August 29, 2012

Forgotten Books: Murder Among Owls by Bill Crider

MURDER AMONG OWLS by Bill Crider

The only series I read regularly are those that offer worlds I want to visit. This may be because before I began reading mysteries reguarly I read science fiction. World building is critical in sf and fantasy.

And it is in mystery fiction, too. Sherlock Holmes. Agatha Christie. John Dickson Carr. Indelible worlds. Or Mr. and Mrs. North. Craig Rice's various detectives working out of Chicago. Hammett, Chandler, Chester Himes' Harlem novels.

And Bill Crider's small town Texas series, the latest of which is MURDER AMONG OWLS (St. Martin's, $23.95) This time Sheriff Dan Rhodes has to decide whether Helen Harris' death was accidental or criminal. At certain points in his investigation his deputies are his biggest hindrance to solving what is now clearly a crime. Wizards they're not.

Any novel that references the Warner Bros. cartoon icon Pepe Le Pew on the third page is a can't miss reading exprience for me. And Crider does this as he does everything else--nice and easy. The sentences and the scenes flow so gracefully you might overlook the difficulty of keeping the writing so spot-on.

If you think Andy Griffith of Mayberry with an edge and a tart tongue you'll have a good sense of of the world Crider creates in these fine books. He's admirably unsentimental about his town and its people, seeing them for what they are. The good ones are good without being saints, the bad ones are bad without being Hannibal Lechter. Real people doing real people things.

Two highlights--the dog who's scared of the cat and a hilarious chain saw chase between a lunatic and his seventy-something would-be prey. I've never read this scene in any form anywhere else before. It is pure Crider and the essence of his best work.

You'll like Rhodes and his town. And for sure you'll want to come back for more.

Tuesday, August 28, 2012

Stories from other stories

Ed here: Before we begin I forgot to credit last night's post/review of my novel The Girl In The Attic to Ben Boulden and his fine blog Gravetapping. My apologies, Ben.

THURSDAY, JANUARY 31, 2008

Stories from other stories

I've always been intrigued by how one writer reads a piece by another writer and does a riff on it that ends up entirely his own. Well, almost entirely.

I've been reading one Alain Silver's fine books of interviews, this one dealing with Hwood directors, writers and cinematographers involved in noir films.

In the course of talking with Billy Wilder, Wilder mentions how he got the germ of the idea for The Apartment from a Noel Coward play. In Coward the hero is the man who uses the apartment of his friend for his tryst. But Wilder says he was more interested in the friend who let him use it. What was his story? Thus, the great film The Apartment was born.

Likewise, performances feed one into the other as well. This afternoon TCM showed the 1938 screwball comedy Boy Meets Girl. If you want to know where Cagney-Wilder got the Cagney performance for One, Two, Three (1961) it came from here. Slicked up, timed better, with much better writing in the later version but the hellzapoppin frantic punch line-punchline-punchilne rythm of One is certainly here to see.

Boy Meets Girl is sloppy, hasty and nonsensical (there are moments when you think you're watching Marx Brothers outtakes) but it sure ain't boring. And the always long-suffering Ralph Bellamy as the studio VP is another portrait of a dumb guy way out of his element. But here he's not the innocent he usually plays.

Fir the record here's the storyyline from TCM bloggers:

Two lazy screenwriters need a story for the studio's cowboy star. A studio waitress turns out to be pregnant. This gives them the idea for a movie about a cowboy and a baby. The waitress's baby becomes the star. The cowboy and his agent run off with the waitress and her valuable asset. The writers retaliate by hiring an unemployed extra to impersonate the baby's father. But the extra already knows the waitress... Written by David Steele

A Hollywood film studio in receivership and courted by a British outfit has all the signs of being run as a madhouse by Elliot Friday. To complete the image, screenwriters Law and Benson pretty well run rampant over the lot. When canteen-girl Susie is found to be pregnant they hatch the idea of making her expected a new star. Owner B.K. starts to realise this is no way to run a railroad. Written by Jeremy Perkins {jwp@aber.ac.uk}

Monday, August 27, 2012

The Girl In The Attic by Ed Gorman

THE GIRL IN THE ATTIC by Ed Gorman


Ed Gorman has released an updated and edited edition of his 1987 novelNight Caller as an ebook. The title has changed to The Girl in the Attic, and it is advertised as, “heavily edited and revised by the author and Patrica Lee Macomber.” I read the original version of the novel a few years ago and really enjoyed it. In fact, I enjoyed it enough to put the updated version on my reading list. It is available from Crossroad Press on bothNook and Kindle, and I highly recommend giving it a read.

Night Caller by Ed Gorman Review, Originally posted December 21, 2007.

In the 1980s and 90s Ed Gorman wrote several novels under the pseudonym Daniel Ransom. The novels tended towards horror and science fiction—two of my favorite genres—but like everything Mr. Gorman writes there were heavy elements of both suspense and mystery; I should disclose that I haven’t read many of the Daniel Ransom novels, but the few I have read have been vintage Ed Gorman.

I recently read Night Caller by Daniel Ransom and I had a really good time with it. Sally Baines and her daughter Jamie are on vacation in the Midwest when their car breaks down on a rural stretch of highway. It isn’t long before a farmer gentleman rescues them with a ride into the nearest town: Haversham. He seems like a nice man, but he looks at Jamie strangely, and even more disconcerting, when they arrive in town Sally and Jamie see him eagerly pointing them out to another local. Their unease continues to mount when they are told their car won’t be ready until the following day. And things really begin to feel strange when they go to the local hotel—The Royal—looking for a room.

I’m not an expert—or even well read—when it comes to 80s horror, but
Night Caller very much has an 80s feel about it. It’s small town horror with a twist of psycho, and maybe just a touch of Stephen King. The characters are amusing, especially a local doctor and a disgraced national television news reporter. The mother-daughter team of Sally and Jamie are central to the plot line, and they hold up well as the story unfolds. There is a large cast of local characters who keep the story fresh and Ed Gorman, as usual, adds more than a little mystery and suspense into the mix to keep it interesting.

Night Caller is, simply put, damn fun. It is a fast read—maybe 90 minutes of reading time—and fits the bill perfectly if you’re in the mood for light horror. And, if there are any producers out there, it would make a terrific television movie. Maybe something similar—in production values and theme—to one of those semi-campy Stephen King television movies of the 90s.

Zebra Books published
Night Caller in October 1987; it was a paperback original.

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