Friday, November 16, 2012

MysteryFile; Arnold Hano; Stark House; Gary Lovisi


GIL DODGE – Flint. Signet #1414, paperback original, 1957. Included in 3 Steps to Hell as by Arnold Hano, Stark House, softcover, October 2012, along with So I’m a Heel and The Big Out.

Ed here: Dan Stumpf writes numerous cool reviews for one of the coolest websites of all Steve Lewis Mysteryfile. Here's an example.  As for Arnold Hano, the featured author, Stark House was a brand new way cool three-fer of Hano novels including FLINT as noted above..
GIL DODGE Flint
   Flint offers some fine Western characters and a terse, hard-boiled opening, but ultimately it’s more interesting for the story behind it than the story within.
   Arnold Hano, the editor-in-chief at Lion Books back in the 1950s ought to be legendary for the quality of the work he sustained. While not every Lion Book was a classic of its time, Hano gave work to writers like Jim Thompson, Robert Bloch, David Goodis and Richard Matheson when they needed it most. And he didn’t just give them work, he gave them free rein to indulge their pulpy passions on the printed page.
   Books like The KidnaperThe Killer Inside MeThe Burglar and Someone Is Bleeding teem with genuine artistry inside their gaudy covers that would be admirable anywhere, and simply amazing inside a cheap paperback.
   So when I learned that Hano himself wrote a western based on Jim Thompson’s Savage Night (with Thompson’s blessing) I came to it with high expectations — maybe too high. It starts well, with Flint, a notorious Hired Gun, previously lung-shot and in hiding, making his painful way across barren countryside to keep a rendezvous with a mysterious cattle baron named Good who needs a job done right—very close to the same situation the tubercular Charlie Biggers walks into in Savage Night.
for the rest go here:,http://mysteryfile.com/blog/?p=20072


NOW AVAILABLE FROM STARK HOUSE

Arnold Hano's 3 Steps to Hell: So I'm a Heel / Flint / The Big Out. Hano was the editor of Lion Books when the one and only Jim Thompson was just getting started. A fine writer in his own right, Hano asked Thompson if he could take one of his themes and make a western out of it. It turned into a dark one, of course, and that's the second book, Flint, which Thompson himself praised. Each of these books are tales of tarnished heroes--a blackmailer, a hired gun, and a disgraced baseball player. Author of the definitive baseball memoir, A Day in the Bleachers, Hano writes hard and lean and doesn't shy away from the less pleasant side of human nature. Includes a new introduction by Gary Phillips as well as an interview with Hano by Dan Duling. Welcome back, Arnold.
  3 Steps to Hell

-----------SHOUT OUT TO GARY LOVISI

Here's a letter from writer Terry Butler about our friend writer-piblisher-great guy-Gary Lovisi. Hang in there Gary. A lot of us are sending you our best.

Ed, Gary has been almost wiped out in the flood of Sandy. 
I was told he 
lost a lot of his books under three feet of water.
Some of his friends on Staten island were ruined also.
I emailed him yesterday and got this reply;
Hey, Terry,
    Those are very kind words, thank you for them. We were 
devastated 
here but will rebuild some time, all best,
Gary
Thought you might send him a hello and maybe a note 
on the blog.
He's a really good man and has helped a lot of people as 
you know.
Thanks, T



Thursday, November 15, 2012

Forgotten Books: A Touch of Death by Charles Williams


A TOUCH OF DEATH






I spent a good share of last night reading Hard Case Crime's snappy edition of A Touch of Death by Charles Williams and I'll say what I've said before about this book. It likely has more plot turns than just about any suspense novel I can ever recall reading.

One of Charles Williams' amoral failed men narrate. He was briefly a football star. Now he's a busted real estate agent. No wonder he gets interested, after initial reluctance, in stealing an one hundred twenty thousand dollars that a bank president took from his own bank. The woman who convinces him to help her makes it sound simple. It's probably in this mansion. All you have to do is get in there and find it. The bank president's wife won't be home for two days. You'll have plenty of time.

Right. Well, we know better than that, don't we? Yes, he gets in but he finds he's not alone. The woman is there, beautiful beyond description, and drunk beyond belief. But so is a killer. After saving her life, failed star takes her to a cabin in the woods where he plans to persuade her to tell him where the money is.

That's the beginning. Everybody in this book is a professional liar. And the bank president's wife is the most fatale of femmes. She lies on virtually every page and occasionally almost gets them killed. That she knows where the money is is obvious. That she killed her husband is also obvious. But who is trying to kill her and why?

While Touch isn't as rich in characterization as most Williams its construction is so dazzling it doesn't matter for once. And as always there is the mordant undertow of all major Williams novels--failure, violence, oblivion.  Most Williams is now available on Otto Penzler's Mysterious Press e book site.

JOE FRANKENSTEIN


JOE FRANKENSTEIN

Graham Nolan and Chuck Dixon, creators of the Batman villain Bane, bring you the first in a series of horror/adventure graphic novels.
20121017184255-joefrank-banner

This project will be the first in a series of 120 page, full color graphic novels to be published by IDW Publishing in 2013.

                      
            Joe Pratt is seventeen and in his last year of living in a foster home before moving on to the rest of his life. He’s delivering pizzas now but has no clue as to what he wants to do about his future.
           
            All of that changes when he’s attacked by a houseful of vampires and rescued by none other than Frankenstein’s Monster. The Monster reveals to Joe that he is the descendent of Baron Victor vonFrankenstein . The most famous undead creation the world has ever known has been watching over Joe since birth; staying to the shadows to protect him from… The Bride.

What We Need & What You Get


  • Although we have a publisher to handle the printing and distribution of the book, there is no page rate or monetary advance. To create 120 pages at this quality level requires a lot of time so your contribution to this project will supply Graham and Chuck with the funds necessary to create an exciting new property, and even more important...the ability to keep the lights on in the process.
     Lots of goodies and perks and even a personal visit from the artist and writer are available in exchange for your donation.
  •  The project is already in the creative process. Graham and Chuck have begun work on the first volume for publication by IDW in 2013. Visit joefrankenstein.com to see more artwork, model sheets and other updates.

The Impact

Comics have really changed in the last 20 years. They've gotten darker and humorless. We want our project to reflect a time when comics were not only exciting, but fun to read. JOE FRANKENSTEIN is an all ages graphic novel in the same vein that Harry Potter was an all ages book. Kids and adults can read it and enjoy it on different levels.
•JOE FRANKENSTEIN is the kind of stuff that Marvel and DC are no longer publishing so we have taken it upon ourselves to do the kind of comics story that we, and a large part of the reading public are clammoring for.
•Your kind and generous support of this project will enable us to produce the art and story in a reasonable amount of time. Our goal, if fullly funded, is to have the books in your hands by Halloween of 2013.
•Nolan and Dixon have produced comics and graphic novels for all the major comic publishers for over 25 years so you can be assured this will get done and it will be really cool!

Other Ways You Can Help

If you can’t contribute this time then please alert the countryside that the Monster is coming. Visit the Joe Frankenstein page on Facebook and share it on your own page. Mention it in blogs, message boards and use the Indiegogo share tools right here on this page!

For Our Supporters

Welcome to TEAM JOE! As an added thanks, you will receive e-mail updates with exclusive content that no one else will see!

Check out the website for more images: www.joefrankenstein.com


THE 10 DAY SPRINT!

Anybody that donates at the $200 level will also receive an original layout page hand drawn by Graham Nolan! These are 1 of 120 original layouts which is the first and, arguably, the most important stage in the production of a graphic novel. This is where all the thought goes into the visual storytelling of the book! Compare these with the finished pages to see the creative process unfold!
Joe Frankenstein layouts

Wednesday, November 14, 2012

Why I Love Stephen King by Derek Haas




A Kid and a King: ‘Chicago Fire’ Co-Creator Derek Haas on His Love of Stephen King

Crime novelist Derek Haas, who co-created the NBC drama ‘Chicago Fire,’ writes about his enduring love of Stephen King, in particular his 1982 novella collection ‘Different Seasons.’


Author Stephen King

Author Stephen King appears on Good Morning America, where he talked about his latest thriller on November 10, 2009 in New York City. (Ida Mae Astute / ABC via Getty Images)

Since I write books about crime and espionage, and created and edit a website promoting genre short fiction, I’m often asked which thriller authors influenced me the most. It’s a legitimate question, and I could pretend that I grew up ripping through the pages of Hammett and Chandler, that I devoured Westlake and McBain, that I fell in love with writing because of Christie and Spillane. But I would be lying, and any good detective would see through me like a sweaty witness in an interrogation room. I’ve read all of those writers as an adult, after I started writing genre fiction, and I’m disturbingly envious of their talent, but they had nothing to do with me picking up a pen.


In graduate school at Baylor University, I studied all the greats: Hemingway, Steinbeck, and Faulkner; Williams, O’Neill, and Miller; as well as poets going back to the Dark Ages: Chaucer, Spenser, and Shakespeare; Donne, Wordsworth, and Coleridge; right on up to Ginsberg, Eliot, and Frost. I even took a genre early-novels class and read Shelley, Walpole, and Poe. Yet, again, as awestruck as I am by the talent of the giants of literature, they didn’t set me on the path that would consume my adult life.

No, I have one writer to thank for my career and, in particular, one book of four novellas.

When I was young, my father would always have paperbacks lying around. In the living room, in the bathroom, on his bedside table, these books littered the house like vegetables waiting to be picked and eaten. I always enjoyed reading, but by age 12, my taste hadn’t developed much further than kids’ books I ordered in some school magazine. I’ll never know what it was about the cover of Stephen King’sDifferent Seasons that made me pinch it off my dad’s bureau, but I swiped that book, took it back to my room, and changed my life.

for the rest go here:
http://www.thedailybeast.com/articles/2012/11/14/a-kid-and-a-king-chicago-fire-co-creator-derek-haas-on-his-love-of-stephen-king.html

King divided the book into four seasons for four novellas, and the first offering, which stood for spring, was titled “Rita Hayworth and the Shawshank Redemption.” I had no idea who Rita Hayworth was, what Shawshank meant, and probably wasn’t too hip as to what “redemption” was for that matter, but I remember being riveted by the story of a man wrongly cast into prison and finding hope in the bleakness. I turned on my closet light and sat in there well after bedtime, flipping pages until my eyes watered. What I most remember was the epiphany I had: that writing didn’t have to be flowery and obtuse and obscure, that a great book could be written as though the author were sitting around a campfire, speaking in his own voice, having a conversation. He didn’t have to impress with vocabulary; he could dazzle with the story itself.

The second novella was titled “Apt Pupil,” and centered on a kid who discovered that an old man in his town was a Nazi war criminal. Prior to reading this, I had only a vague notion of what a Nazi was, but I remember being scared out of my mind as I raced through the pages. It had a dark, twisted ending, another new revelation for me. Hell, all the books I read before this one usually ended with Johnny throwing the winning touchdown pass, or the Hardy Boys solving the mystery of the Old Mill. The bleak ending was so shocking, it opened my eyes to the possibility of the storyteller surprising the reader, zigging when you thought he would zag, a notion I keep in the forefront of my mind as I write.

The third story was titled “The Body,” but you might remember it better as the movie Stand By Me. More than the first two, this novella pushed me down the writing path. It focused on four kids who hear about a dead body on the railroad tracks and go on an adventure to find it. I don’t know if it was because I was the same age as the kids in the story or if it was because it alternated so seamlessly between side-splitting comedy, heartbreaking tragedy, and pulse-pounding suspense, but that novella spoke to me in a way that no book had. It is a masterpiece of storytelling, and if you’ve never read any Stephen King, do yourself a favor and check out “The Body.” It should be taught in writing classes alongside any of the previously mentioned greats.
king-different-seasons-cover



The last novella was titled “The Breathing Method” and was a weird horror tale about a decapitated woman delivering a baby. I can’t say much about this one. I never went back and reread it, but as a 12-year-old, I was fairly terrified by the detached head, still going through the breathing exercises as the body, a hundred yards away, squirted out a child. Kudos to King, that image has stuck with me all these years.

As famous, prolific and ubiquitous as he is, I still think Stephen King doesn’t get his critical due. He’s one of the titans of 20th-century fiction, and I’m not at all reluctant to call him the greatest influence in my career. His books are often pinnacles of tension, pace, and craft, and I absorbed all I could about storytelling from his canon. If you read 11/22/63 last year, then you know he hasn’t lost a step in nearly 40 years of putting pen to paper. I remain, as I did when I was 12, in awe.

My final message to you parents: don’t always put your books on a shelf, out of the reach of your children. Leave a few lying around the house. Encourage your kids to read outside their comfort zone ... and yours. You might discover you have a novelist on your hands.