Bright Lights, Big City: John D. MacDonald’s Las Vegas
Ed here:I've always liked this review by Jared Shurin on
Tor.Com
Although author of over one hundred books, it was rare for John D. MacDonald to leave the fertile stomping ground of his native Florida. Like his characters, he clearly felt uncomfortable in the big Northeastern cities or windswept Texan plains. However, in his novels set in Las Vegas, MacDonald harnesses that discomfort to write two works of almost perfect noir.
The Empty Trap (1957) and The Only Girl in the Game (1960) are both better remembered for their lusty Robert McGinnis cover art than their content. The similarities don’t stop there. In both books, the protagonists are young hotel managers, working in Las Vegas and wrestling with the unpleasant awareness their hotels are owned by the mob.
Although author of over one hundred books, it was rare for John D. MacDonald to leave the fertile stomping ground of his native Florida. Like his characters, he clearly felt uncomfortable in the big Northeastern cities or windswept Texan plains. However, in his novels set in Las Vegas, MacDonald harnesses that discomfort to write two works of almost perfect noir.
The Empty Trap (1957) and The Only Girl in the Game (1960) are both better remembered for their lusty Robert McGinnis cover art than their content. The similarities don’t stop there. In both books, the protagonists are young hotel managers, working in Las Vegas and wrestling with the unpleasant awareness their hotels are owned by the mob.
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