Thursday, March 14, 2013

Amazon has now published DEATH GROUND in trade pb




Formats

Amazon priceNew fromUsed from
ExpandKindle Edition$3.99 
ExpandHardcover, Large Print$28.99
ExpandPaperback$14.95
ExpandMass Market Paperback-- 
Unknown Binding-- 
Audible Audio Edition, Unabridged$14.95or Free with Audible 30-day free trial


From Publishers Weekly

This is a western for grown-ups, written in a lean, hardboiled style that should appeal to readers who "don't read westerns." In the waning years of the frontier, in an unnamed territory, bounty-hunter Guild celebrates a joyless 54th birthday in a brothel. Guild is acting as bodyguard for Merle Rig, a very unpleasant man who is soon murdered, along with a teenager whom Guild had reluctantly hired as an assistant. Suspicion points to Kriker, a notoriously violent mountain man, bank robber and leader of a secluded settlement of former low-lifes. The laconic Guild, carrying his own personal guilt about a dead child, sets out to bring Kriker to justice, accompanied by the nasty Bruckner brothers, sheriff's deputies. Kriker, meanwhile, is nursing his adoptive daughter, using a "granny woman's" folk medicine that is useless against what turns out to be cholera. Gorman ( Guild and the Jack Dwyer mysteries) uses the period setting effectively and draws his characters with a deft hand.
Copyright 1988 Reed Business Information, Inc. --
5.0 out of 5 stars DEATH GROUND by Ed Gorman October 24, 2009
By Benjamin Boulden of GravetappingFormat:Mass Market Paperback
Leo Guild is an aging bounty hunter. He is a former lawman, father and husband, but that is all behind him. Now he rides alone. He is melancholy, intelligent and violent; when he needs to be. He also has a past that sticks with him. He killed a little girl. The courts forgave him, but he can't find the heart to forgive himself.

DEATH GROUND opens on the evening of Guild's 54th birthday. In lonely celebration he makes a date at the local brothel with a young "straw-haired" girl. Things don't go as expected with the girl and his birthday truly turns for the worse when he is summoned to the Sheriff's office.

Two men are dead. One--Merle Rig--hired Guild as a bodyguard and the other--Kenny Tolliver--was technically Guild's employee. He hired Kenny to protect Rig while he paid a visit to the "straw-haired" girl. As he looks at the cadavers on the heavy mortician's tables he figures his job is gone and it is time to ride on, but first he pays a visit to Kenny's mother. A scene that unsettles Guild and also piques his interest; Kenny's mother knew Rig and Kenny palled around with a couple local deputies.

Leo Guild decides he can't leave town until he figures who really killed the pair and why. He has a feeling it is not the violent mountain man being blamed by the Sheriff, but he doesn't have many suspects. He doesn't have anything but a hunch, really.

DEATH GROUND isn't a traditional Western. It, like all of Gorman's Westerns, is a noir mystery wrapped in the trappings of the Old West. That is not to say that the historical element isn't accurate or interesting, because it is. It is also central to the story, but an Ed Gorman Western is more of a historical mystery than anything else. A hardboiled historical mystery at that.

The prose is tough and tender in varying shades. It defines the story, action, and protagonist with a lean, smart and melancholy and literate style:

"Then he started digging snow up with both hands, and he covered them good, the two of them, and then he stood up and looked out on the unfurling white land. There was blue sky and a full yellow sun. Warmer now, there was even that kind of sweetness that comes on sunny winter days. It made him think of pretty women on ice skates, their cheeks touched perfect red by the cold, their eyes daring and blue."

Leo Guild is an everyman. He is the man who does what needs to be done. He isn't a hero, or a villain, but rather he is simply a man; a man who has seen much, done much, and lost much. Guild is an example of what makes Ed Gorman's fiction so damn good: characters that are measured and three-dimensional; characters that act, feel and sound real. His male characters are strong and pitiful, lustful and scared, vain and dangerous, lonely and weak--generally all at the same time--and more importantly they are recognizable. And his female characters exhibit the same steady qualities. Neither wholly good nor bad, just human.

DEATH GROUND is a Western that should have wide appeal. It will please the traditionalist with its rugged description of frontier life and the people who settled it. It will also introduce readers of hardboiled crime fiction to a new genre, but mostly it will please any reader who wants something tangible and meaningful mixed into a well-told, excellently plotted and immensely entertaining novel.

-Gravetapping

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