Posted: 01 Feb 2014 08:44 AM PST by Ben Boulden
Tek Netis the ninth (and final) Tek
novel published by William Shatner. It, like all of the Tek
novels, was written by Ron Goulart. The novels are futuristic detective
stories detailing the exploits of Cosmos Detective Agency operatives Jake
Cardigan and Sid Gomez. I read, and really enjoyed, the first four novels
in the series back in the 1990s, but somehow lost track of it when the later
books were released. When I stumbled on Tek Net in a thrift shop a
few weeks ago I couldn’t help picking it up, and I’m glad I did.
The European Teklords have developed a new
delivery method for tek—a digital drug that delivers addictive virtual
fantasies. The new delivery system eliminates the need for chips and
headgear. The new tek will be a boon for the European cartels, and force
their American counterparts out of business. Jill Bernardino, a former
tek addict and second wife (of four) of Sid Gomez, becomes a pawn between the
American and European Teklords when she learns about the plans. She is
kidnapped in quick order, but not before she makes a call to Sid pleading for
help.
Tek Netis less science fiction than
action. It is told in an almost frantic pace—the plot moves like a rocket
from scene to scene. There is no down time. Every word has the
overwhelming purpose of moving the plot forward. Sid Gomez is the center
point of the story, and Jake Cardigan (the usual primary player) is basically
in a supporting role. There is not much mystery about the story’s
trajectory (or final destination), but it is populated by a long list of
villains who range from frightening to hilarious (in a good way). Think
of a geriatric gangster who paints, and has a flock of virtual sheep in his
backyard.
The setting is a future Southern California,
which is simply known as Greater Los Angeles. A place where smog has
gotten so bad it is unbreathable in places, and robots do the majority of the
dirty work. There are a surprising number of “attractive” robots, an
impressive amount of tek addicts, and even more unscrupulous citizens. A
particularly vivid scene is a dilapidated theme park called Hollywood Starwalk
Park. It is a sort of robotic version of a wax museum where robots made
up as Clark Gable and Charlie Chaplin recreate classic films—
“When the blonde actress on Gable’s left winked
at Jill, her plastiglass eyeball fell out. It hit the simulated white
gravel of the path and bounced once.”
Tek Net is pure fun. There is
not a whit of character development, and the science fiction tends to be less
futuristic than simply renaming common items with an often cold and futuristic
sound—“vidphone,” “guardbots,” “plastiglass,” “skull-mail,” etc.—but for what
the story lacks in literary development it makes up for in brisk,
straight-forward action, and a sort of cordial humor.
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