RICHARD MATHESON ENTERS THE TWILIGHT ZONE
Posted by R. Emmet Sweeney on July 9, 2013 MOVIE MORLOCKS
After the success of The Shrinking Man and its movie adaptation (which added Incredible to the title), Matheson moved to television writing, often with collaborator with Charles Beaumont. They were close friends, part of a circle of fantasy writers that included Robert Bloch, Ray Bradbury and Harlan Ellison. Matheson recalled that, “When we joined this agency [Adams, Jay and Rosenberg] it was such a strange new world out there that we decided to work together.” Beaumont and Matheson worked on cop shows and Westerns like Bourbon Street Beat and Have Gun — Will Travel.
Their most long-lasting contribution was to The Twilight Zone, which they both began contributing to, separately, in ’59. Rod Serling was a fellow traveler in the speculative arts, and provided an invaluable platform for the kind of material they wanted to write, even with showbiz compromises. Their material, as Matheson notes, “never made any social commentary”. They were detail men, interested in fleshing out their imagined worlds rather than allegorizing the existing one.
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In Twilight And Other Zones: The Dark Worlds of Richard Matheson, the writer declares that “Steel” is his favorite episode of the ones he wrote. He adapted the teleplay from his own short story, of a “sports item, circa 1976″, in which boxing was outlawed and replaced by bouts between lifelike robots. Lee Marvin plays the “Steel” of the title, a former pug turned down-at-heel manager, too poor to upgrade his rickety “Battling Maxo” bot, which mechanic Pole (Joe Mantell) keeps running through some spit and a prayer. Maxo is so old even his parts are outdated, and is only booked when a newer model is destroyed in a car accident. Steel needs Maxo to put up a fight so he can pocket the take and make some upgrades. Matheson’s small-scale story was later inflated into the 2011 blockbuster Real Steel.
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