SATURDAY, MAY 23, 2009
"David Thomson thinks it's Robert Shaw – even when, as in Jaws, he's on the side of the angels, David believes Shaw to have the been the scariest man to stride across the cinema screens. So who are the greatest villains in cinema history? They must be characters who compel us to watch, people who make us wonder: what happened to make them that way?
"So those villains who are set up purely to teach us about the hero – as in the likes of Zodiac or Rear Window – don't work. Not least because you never get to encounter them as real characters. Nor do "supervillains" – the likes of Blofeld or the Joker in either his Ledger or Nicholson guises – because we know they are not and can never be real. They are cartoons, and we know they exist only to entertain.
"The villains who truly terrify are those who we might plausibly encounter, if we are unlucky, if our lives go right off the rails, if we simply happen to be in their path when they come through town. They are those who bring disorder, the thing that those of us whose lives follow patterns fear most. They are the likes of Anton Chigurh in No Country for Old Men, who holds the life of a petrol station attendant in his fingers, even if the hapless old man doesn't realise it. We are horrified, because of the discrepancy between our knowledge and the petrol pumper's. Or Tommy DeVito in Goodfellas, who turns from genial to petrifying in the blink of an eye, and – worse for us – does so without recognising the distinction. Or Tommy's homegrown cousin, Trainspotting's Begbie, whom an awful lot of YouTube posters seem to regard, worryingly, as a role model."
"The villains who truly terrify are those who we might plausibly encounter, if we are unlucky, if our lives go right off the rails, if we simply happen to be in their path when they come through town."
If that's the measure I'd go with Robert Mitchum in Cape Fear and Joe Pesci in Casino. Mitchum is controlled madness, Pesci is a psychopath with no control whatsoever. Mitchum's lizard looks and Pesci's compulsive explosions are what we hear about on the news today. For instance, in NYC yesterday a man ran his car into a traffic agent about to give him a parking ticket; a few days ago a man tore out his small son's eye; a woman threw her four month old baby out the window of a speeding car.
The other night I quoted Robert Bloch about his crime novels and how he tried to cope with "The terrible inability to understand the irrational behavior of certain human beings, what is it that impels that sometime senseless sadistic cruelty."
There's been a merging of horror and crime fiction and you'll find many examples in both genres. The stuff of this merger scares me (as a reader and viewer) far more than the traditional approach of haunted houses and spooky trappings. Stephen King is largely responsible for this. Carrie terrified because the emotional center of the fear was Carrie's reaction to the horrors of high school, horrors many us us have suffered.
A fair share of King's short stories give us nightmares because they're rooted in reality. Even a complete fantasy such as The Mangler--about a laundry press machine with murderous intentions--gives us the creeps because many of us are luddites and suspect that we aren't using machines, they're using us. Hell, look at our relationship with our computers. A fair share of us work every day at their mercy. They can take a day off and tell us to shove it. They just might be be able to do a lot of to do a lot of other things, too. Things we don't like to think about especially when we see what the Japanese are starting to do with robots.
All this bears on the villains we create today. The original Cape Fear had the power to shock because audiences had rarely seen a madman like Mitchum on the screen. And each decade since then has built on that Mitchum icon, trying to put him in a more contemporary setting without losing any of his animal lunacy. Some of these versions work; far too many don't. The Bad Guy has become a cliche. But true villain--the real Boogeyman--has likely been with us since (in whatever form) we crawled from the sea.
I grew up with men like Robert Shaw--dangerous and unpredictable Irishers. Scary men. I also knew a few guys, later on, who were at least shirttail kin to the Mitchum icon--breathtakingly cruel. One of them ended up being stabbed to death by the wife he'd beaten over the course of many years. She had her leg in a cast thanks to him the night she killed him. He came at her and she picked up a butcher knife and that was that. The jury was out less than an hour. She walked. It was way past time.
To me the most haunting villains have this streak of almost inhuman cruelty in them, a kind of cruelty that makes them unrecognizable as people. . I think that's what Robert Bloch was talking about. Think about Lou Ford in Jim Thompson's The Killer Inside Me.
Hell just take a minute and study Dick Cheney's face. It's all there.
How do you folks feel about villainy?
for the rest of the Michael Hann article go here:
I knew you couldn't make it to the end of this piece without comparing Republicans to serial killers.
Of course - "Anonymous said". Another political hedgehog reaction.
Ed, Good piece on villains. And the analogy holds. And the fear may even be deeper than what Mitchum engenders because of the lack of consciousness Cheney had re: his indiscriminate destruction of Iraq during his "presidency".
Growing up and working in a theatre I always saw Richard Widmark as a villain.
Christopher Walken. He scares me just hearing him talk.
Christoph Waltz in "Inglorious Basterds". That opening scene...
Bill Murray in "Mad Dog and Glory", one of the most amazing acting coups I've ever seen, with comedian Murray playing a sinister, chilling gangster to DeNiro's wimpy cop. Altho you'd think it should be, this movie is not a comedy by any stretch.
The world is filled with villains. Given the destructive forces Cheney was able to murder with, he ranks among the most treacherous.
I wish we could edit comments on Blogspot. I should have said:
Christopher Walken scares me just hearing him talkin'.
And I should have added that "Mad Dog and Glory" does have comic moments -- and not just the hilarity of knowing the actors are playing ironic roles. I'd forgotten that Murray plays a mob boss who wants to do stand-up comedy. He and Deniro both are utterly believable in their roles.
As to Cheney, he ranks down there with Kissinger as egos from Hell.
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