Thursday, January 16, 2014

The Dangerous Housewife: Santa Barbara's Margaret Millar by Kathleen Sharp A forgotten genius of noir. Los Angeles Review of Books

The Dangerous Housewife: Santa Barbara's Margaret Millar

The Dangerous Housewife: Santa Barbara's Margaret Millar by Kathleen Sharp

A forgotten genius of noir.   The Los Angeles Review of Books

November 28th, 2013
thanks  to Jake Hinkson for the link

WHENEVER A WRITER frets about balancing her work and family, or wonders whether her new book will finally get reviewed like a man’s, or whether it will get reviewed at all, I think of the brilliant novelist Margaret Millar and realize — it’s always been difficult.
Perhaps you’ve heard of “Maggie” Millar. She’s a literary suspense author who, at the onset of World War II, explored female characters as they battled the daily accretions of frustrated ambition and blocked power, often while trying to keep a grip on their own sanity. Later, in the 1960s, Maggie’s perspective expanded, and she delved into the mores and corruptions of a stratified society that resembles our own today. She dissected the delusions of the Golden State at a time when the rest of the country still believed in the eternal sunshine of the Edenic kind. The people who lived in this paradise, and lived in Millar’s fiction, often reached far beyond their financial or moral means, playing dangerous games that pitted loved ones against each other. Sometimes, these people escaped the law, but they always wound up serving some sort of life sentence.
Maggie, who spent much of her life in Santa Barbara, ranks among the best fiction writers of the late 20th century. She was a master of character, a genius of plot twists, and a superb stylist. It’s rare to find those three talents in one literary package, yet, over the course of a 55-year-long career, Maggie maintained her high standards throughout her 27 books, short stories, half a dozen screenplays, poems, radio stories, and one touching memoir. Plus, she did it while struggling to raise a child, keep a house, and deal with a husband who later became more famous than she. Perhaps you’ve heard of Ken Millar. He wrote under the pseudonym of Ross Macdonald and created the Lew Archer detective series, which paid homage to the hard-boiled detective masters Dashiell Hammet and Raymond Chandler, and he eventually joined them in that genre’s pantheon of men.
Maggie was never included in that group, which annoyed her greatly.
 for the rest go here:


mybillcrider said...

Sloppy research in the article. Robert Mitchum's movie THUNDER ROAD had nothing to do with William Campbell Gault's book of the same name.

Sheloolie said...

Bill Crider is right of course about Thunder Road, but my dad did receive a tiny check for the use of his title for the movie--even though the title wasn't subject to copyright.

Wm. Gault was a great admirer of Maggie Millar's prose. He liked it better than her husband's.